GEORGE ANDERSON · November 10, 2017 - January 26, 2018


paintings and collage

OPENING RECEPTION · Saturday, December 2, 4-6pm

Winter Blues, 1072, 2015, acrylic on canvas, 24" x 28"

Winter Blues, 1072, 2015, acrylic on canvas, 24" x 28"

As admirers and collectors of Rockport artist George Anderson’s work for the past twenty odd years, we are very pleased to be showing his rich modernist portrayals of Gloucester fishermen at work. George’s well-developed eye for two dimensional design in advertising is evident in his mastery of composition and color in the powerfully graphic paintings. His flat outlined figures and their ubiquitous large gloved hands bring an anonymity, strength, and nobility to his subjects.



Emerson wrote, "It is in the doing that you gain the power." As an artist, this quotation has great significance to me. It has encouraged me to paint when it seemed impossible. Painting the same subject over and over and gaining a rapport with the canvas has instilled in me a power and an inner strength which I believe is inherent in my work.

I was born in Montreal, Canada in 1931. I attended commercial art school in Quebec and became a member of the Art Federation of Canada. As a young man I worked as a display artist and later became an art director with a major Canadian publisher. In 1967, I formed G. Anderson Advertising in Montreal. The agency grew and expanded with offices in Montreal, Toronto and Brussels. 

Throughout my career, I have always been involved with art direction. In 1981, I moved with my family from Montreal to Exeter, New Hampshire. Two years later, I sold the agency to the employees to work on a new career in fine art. The agency has since been sold to D.D.B. Advertising and is called Anderson D.D.B. (Toronto, New York, Montreal and California).

Over the past 20 years I have worked daily on my career as a fine artist. I have had group and solo exhibitions of my paintings, including:

iartcolony, Rockport 

Noho Gallery, New York

Jules Gallery, Boston

Rockport Art Association

Judi Rotenberg Gallery, Boston

Field Gallery, Martha's Vineyard

Granary Gallery, Martha's Vineyard

Cambridge Gallery, Cambridge, England

First Sight Gallery, Bath, England 

At present, I have studios and galleries in Rockport, Massachusetts, and Portland, Maine.


MARA CALLAHAN · August 29 - October 28



OPENING RECEPTION  ·  Saturday, September 16, 4-6pm

Roses, 2017, monotype, 22" x 30"    (click on image to view the Rose series)

Roses, 2017, monotype, 22" x 30"    (click on image to view the Rose series)

My artwork explores flora and fauna with a playful embrace of color and texture across three primary media: painting, printmaking, and drawing.

I seek to capture a sense of freshness and spontaneity in my work and enjoy the sense of discovery in unexpected results. Above all I wish to communicate my sheer wonder at the transient beauty and mystery of nature. 

Floribunda is a celebration of the flowers in my garden that have been my inspiration over the past several summers. Roses, butterfly bush (Buddleia), columbine (Aquilegia), lilies, poppies, Japanese painted fern - all their varied forms and beautiful colors have informed my artwork. The rose series is monotype in oil on 100% rag paper. I used several stencils for the outline shape of the roses. I enjoyed experimenting with how little information I could put down and still have the image read as "flower".

- Mara Callahan






Saturday, May 27, 4-7pm

Crab #9, Annisquam, 2017, watercolor, 15" x 22" 

Crab #9, Annisquam, 2017, watercolor, 15" x 22" 

This exhibition looks at two distinctive shapes of the sea shore: crab claws, part of the non-descript detritus washed up on the beach below our cottage in Annisquam; and the ungainly hulks of trawlers and tugs hauled up on the drydocks in Gloucester. Each is seen unnaturally. 

The claws are unsettlingly large but at the scale their sculptural forms and subtle colors can be admired and their engineering understood, when before they were just unexceptional flotsum. The big work-boats are similarly out of their element, oddly levitating and worringly top-heavy. 

While the claws are small things seen big, the boats are big things seen small. For the painter, the closer we look the more detail we see and can depict. The reverse happens as we miniaturize: the smaller the scale, the more the tools force us to generalize and find the essential form. In each case, the activity involves looking closely at things, and often, looking at familiar things in a different way.

- Christopher Pullman

POLLY WALES POP UP - Wednesday, April 19, 11-3

Join us!  Polly Wales’ extraordinary cast-in-place gemstone and diamond creations will be here at Gladstone...unique alternative bridal designs and coveted one-of-a-kind jewels for your everyday adornment.  Don’t miss the opportunity to see the Collection firsthand and enjoy special event pricing!

“I love the unpredictability of the casting process.  How a piece will look is never sure until the investment plaster is cleaned away and the gold is revealed. It’s magical every time.”  ~ PW

Click here to view "The Rogue Moment", a video featuring Polly Wales

GILES EDWARDS · December 1, 2016 - February 25, 2017




Thursday, December 1, 5-7pm

This is the first US exhibit of English photographer Giles Edwards’ work. Born in London in 1958, his street and social documentary photography captures the quirkiness and mindset of the English people, and addresses homelessness. These images are juxtaposed with Edwards’ photographs of Britain’s majestic countryside, Hadrian’s Wall in Northumberland.

Edwards’ education began at St George's School Windsor Castle, the Queen's boarding school for choristers of the castle Chapel Choir, from 1966-1971. He took the test to become an angelic choir boy, but failed. Not a strong academic student, he studied photography at Radley College for one year, spending most of his time in the darkroom at age 18. This was the extent of his formal training in the field. 

In life, Edwards has explored numerous career paths. Antiques dealer, “selling bits and bobs to an assorted collection of eccentrics, low lifes and chancers”, a stint in the music industry at Island Records, and training with Peter Newman as a fine art oil painting restorer. Clients included the National Gallery, National Gallery, Greenwich Maritime Museum, National Portrait Gallery, and the Mellon Foundation. “As with the antiques chapter, this was a time spent mixing with the art dealers of London, a fabulous collection of old school charmers, streetwise artful dodgers and, more often than not, an impossibly seductive combination of the two.” From 1986 - 2014 Edwards worked in film and video. He and a partner formed an independent film production company making promotional and corporate films. This culminated in a longterm project in which he produced 60 films to promote higher education in the UK.

“Throughout all these haphazard adventures and assorted shenanigans I have never been far from a camera and I suppose photography has always been my No.1 preoccupation ever since I first got me mitts on a Kodak Instamatic.”

“With regard to the street photography side of things, when I was in my teens I discovered an English photographer called Tony Ray-Jones. He was operating in the 1960’s and very early ’70’s. I absolutely loved his stuff, amazing pics full of humour and kindness.” Ray-Jones described his own work, “My aim is to communicate something of the spirit and the mentality of the English, their habits and their way of life, the ironies that exist in the way they do things, partly through tradition and partly through the nature of their environment and mentality.” Giles’ other influences include Martin Parr, John Gay, Edith Tudor-Hart, Garry Winogrand, and Vivian Maier, and a number of the 1960’s generation of British landscape photographers. 

“The way I actually go about shooting in the street is quite simple. Every day that I spend attempting to shoot this stuff starts as early as possible. Summer 5:00am onwards, winter just before sunrise. I randomly select a starting point on the tube map and see what happens. Sometimes things just fall into your lap and on other occasions I will spend perhaps an hour waiting in a location I like for something to happen. Anyway, it involves a lot of walking. I think my longest hike has been just over 20 miles through London in a day. Occasionally, I will shoot at night. The beauty of street shooting is not having any idea at the start of the day of what will unfold. In the early days of this project I used to blast off far too many shots and the results were not noticeably more interesting because of this. Now I am much more frugal in terms of number of shots taken in a day and the percentage of worthwhile stuff seems to have increased. I think I have a result if I have just one image I like from the day. When shooting the ‘down and outs’ I always talk to them before attempting any photography. It’s incredible how positively these overlooked people react even to just being asked their names… It’s quite a controversial issue, this type of snapping, but I’m firmly of the opinion that if you show these people a little respect, it can be justified. I know that a few of the pictures I have taken of ’street people’ and the story behind them have changed the way some of my pals think about this issue. Not saying I’m changing the world, but I think it all helps.”

Edwards’ work hangs in the collection of the Rolling Stones’ London office, and he recently was the photographer at Bill Wyman’s 80th Birthday Gala event in London. He is currently preparing for a January 2017 solo exhibit at the Union Club Gallery in Soho in the West End of London. 

Click on any of the slideshow images above to access Giles Edwards' website

POLLY WALES · Wednesday, June 29, 2016

S A V E   T H E   D A T E  !


Wednesday, June 29, 11 - 7

one day only  enjoy special event pricing

Polly Wales is an award-winning British fine jeweler, who we have had the pleasure of representing since 2012.  In early June she won the Couture 2016 "Best in Bridal" Award, a well-deserved recognition from one of the most discerning competitions in the fine jewelry world!  The Couture Show takes place in Las Vegas and is attended by over 4,000 of the world's most prestigious brands who come to preview exquisite original designs from more than 200 international designers. The show is a destination for tastemakers in fashion and design, so we expect to see her stunning work featured in the world's top publications soon! 

Polly uses traditional lost wax casting methods in a most unorthodox process to create one-of-kind pieces of jewelry that have become her signature style. Each unique creation has a raw, unconventional beauty, featuring repurposed diamonds or precious colorful gems cast directly, often randomly, into gold.

 “We make jewelry that never has a perfect moment”, says Polly of her jewelry. “The process behind the backbone of our work is to cast an array of gemstones inside precious metal, to create pieces that always have unique and slightly unpredictable outcomes with a rough luxe, ‘from the earth’ aesthetic….like geodes split open as stones break through at random points to penetrate the surface of the gold.”



Evan Lindquist · November 20, 2015 - January 26, 2016



OPENING RECEPTION · Friday, November 20, 5-7pm

Evan Lindquist is an award winning Master Engraver and one of the few late twentieth century American printmakers working in the medium of copper plate engraving. Lindquist is the recipient of a Lifetime Achievement Award from the Society of American Graphic Artists and his work is represented in major museum collections in the United States and abroad. A longtime professor of printmaking, Lindquist is now a full-time artist, living and working in Jonesboro, Arkansas. We are honored to be exhibiting this selection of engravings which celebrate the calligraphic line. 

Adventure with E.L.: Surf, picture size 6.4 x 11.8, matted size 12 x 18

Adventure with E.L.: Surf, picture size 6.4 x 11.8, matted size 12 x 18

Laraine Armenti · August 14 - November 10, 2015


paintings & drawings

OPENING RECEPTION · Friday, August 14, 5 - 8pm

This is Laraine Armenti's first exhibit at Gladstone.

I use oil paint, graphite on mylar, ink on paper, gouache, and acrylic-painted paper collage to invent images from observation and imagination. The work relies on thematically related subjects to create pictures within established genres of florals, still-life, interiors, figure, and landscape.

My interest in art history is equally as strong as my practice in visual art.  The Romantic movement in Europe and Chinese ink painting are primary touchstones of my aesthetic and philosophic concerns. Their material qualities illuminate my creative process in spite of the contrary omnipresent technological and economically globalized modern era.

By engaging with the intersection between realms of history, dream, and contemporary life, my work in art embodies archaic gestures as a personal act that manifests the act of looking.

- LA, August 2015

to learn more about our connection with the artist Laraine Armenti, please see our blog

Avocado, 2014, oil on linen, 8" x 10"

Avocado, 2014, oil on linen, 8" x 10"

Diane Charyk Norris · May 15 - August 11, 2015


monotypes & paintings

May 15 - July 8, 2015   * Extended through August 11, 2015

OPENING RECEPTION · Friday, May 15, 5 - 8pm

Taking Flight, a series of monotypes and paintings, is Diane Charyk Norris' second exhibition at Gladstone. 

In this new work Diane studies and abstracts the patterns in butterfly wings.  “I am captivated by the underlying structure, patterns, and unexpected vivid colors in nature’s wings, set in a world of flickering light, elusive movement, deceptive camouflage, and delicate beauty. I am also intrigued by the underlying purpose of patterns in butterflies. Patterns echo dappled light and shade to confuse a predator.  Bright complementary colors serve to distract the eye.  Peacock jewel patterns or vivid blue stripes can hide a true outline. Eyespots distract birds and fake swallowtails steer predators away from vital parts.”

These extraordinarily powerful images explode with color and pattern, and capture the velveteen surfaces of butterfly wings. The series is a beautiful celebration of Spring and the emergence of new life! 

Coordinating with the theme, and with a nod to vintage butterfly wing jewelry, we will be presenting our new signature rock crystal and gold locket with natural butterfly wing interiors.

Esther Pullman · February 20 - May 12, 2015

Sasso Felice, Roma

photographs from the glorious corners of Rome

Opening Reception | Friday, February 20, 5 - 7pm

CLOSING RECEPTION | Wednesday, May 6, 12 - 5pm

“Rome, Spring 2012, rain.  In this flat light I am surrounded by earth colors and the textures of heroic architecture: marble, stone, cobbles, stucco, collages of building material, real and illusionistic. I am seduced by the monumental geometry into composing abstractions with my camera. Now, I find that the prints are further energized by careful juxtaposition, considering color and form.”

- EP


Ray Griffiths Pre-Holiday Trunk Show · December 7, 2014

One Day Only . . . Sunday, December 7, 11-6

Ray Griffiths Holiday 2014

Back by popular demand, master jeweler Ray Griffiths will be returning to Gladstone for a ONE DAY Trunk Show of his latest and greatest gold crownwork jewelry designs. Create your Holiday wish list from a vast selection of gorgeous gemstones styles, meticulously crafted. Colorful jewels and Holiday cheer will abound this Christmas-by-the-Sea weekend in Manchester! Join us!!!